NAGOYA Repository >
A100 文学部/人文学研究科・文学研究科・国際言語文化研究科 >
A100b 紀要 >
メディアと社会 (Studies in Media and Society) >
Please use this identifier to cite or link to this item:
|Title: ||世界で広がるデジタルストーリーテリング : 越境し変容するメディア実践|
|Other Titles: ||The Global Diffusion of Digital Storytelling: A Cross-Frontier and Transformative Media Practice|
|Authors: ||土屋, 祐子|
|Issue Date: ||31-Mar-2015|
|Citation: ||メディアと社会. v.7, 2015, p.77-84|
|Abstract: ||Digital Storytelling (DST) is a workshop-based media expression practice involving laypeople’s thoughts, family memories, and everyday lives. Generally, the storytellers create a two-to three-minute video clip called a “Digital Story,” which combines their voiceovers with photographs. DST began in California, US, in the 1990s, and DST practices have spread around the world and into diverse fields such as education, museum archiving, civic journalism, therapy, advertising, and local oral history. By reviewing the mechanism of this global diffusion, I examine the dynamics of the DST workshops that facilitate these cross-frontier activities. DST has been diffused based on the willingness and ingenuity of people. Participants of a DST workshop often transformed into its facilitators and organizers. They then held new workshops based on their own contexts: localities, professions, customs, and interests. Such practitioners transform the workshops' design and develop diverse practices. Moreover, DST workshop processes have generated interactions between facilitators and storytellers through the activities to create and share individual stories. These interactive experiences have deepened the understanding of others. DST participants could become transformative agents who were interested in others and actively involved in community and social development.|
|Appears in Collections:||メディアと社会 (Studies in Media and Society)|
There was reading in 13 pieces of the previous month in this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.